Thenavattu

                                                  Thenavettu

Banner: ELK Productions (PVT) LTD.

Cast: Jeeva, Poonam Pajwa

Direction: Anthni

Production: V.V.Kathir

Music: Srikanth Deva

Lyricis: N.Muthukumar

Young actor Jeeva already showed his acting skill through films like Ram, E, Rameshwaram, Katrathu Tamil etc., now the young man ready to show is “action” skill through Thenavattu. The film is about a Madurai boy and his life, Jeeva making his entry into the action hero list. Bharath made his entry as commercial action hero through Palani film, Simbu and Dhanush already doing action movies. Now, a new one in the list. The audio release function of Thenavattu held recently at Sathyam cinemas. Srikanth Deva composed the songs for the film . Poonam Bajwa making her debut as heroine in Tamil through this movie. Some of the guests are : Ramanarayanan, Jayam Ravi, Seeman, Ramesh ( Actor / Jeeva’s brother ), Directors Perarasu, Subramania Siva and others. Na Muthukumar as lyricist for the film. Thenavattu directed by VV Kathir.

 

Rapidshare Links

http://rapidshare.com/files/172976454/THENAVATTU_ORI__dhloga.part1.rar

http://rapidshare.com/files/172977014/THENAVATTU_ORI__dhloga.part2.rar

http://rapidshare.com/files/172998488/THENAVATTU_ORI__dhloga.part3.rar

http://rapidshare.com/files/173000402/THENAVATTU_ORI__dhloga.part4.rar

http://rapidshare.com/files/173022258/THENAVATTU_ORI__dhloga.part5.rar

http://rapidshare.com/files/173001087/THENAVATTU_ORI__dhloga.part6.rar

 

 

Poo

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com
Part 1 -93.17 MB
Part 2 -93.31 MB
Part 3 -93.20 MB
Part 4 -78.50 MB

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com
Part 1 -93.17 MB
Part 2 -93.31 MB
Part 3 -93.20 MB
Part 4 -78.50 MB

Movie Review: Poo

“Simplicity is the glory of expression,” said Walt Whitman, and Poo may be one of the best elucidators of this quote. It is beautiful without being complicated, moving without being disturbing and mellow without being mushy. Poo is about love, relations, dreams and sacrifices.
It is difficult to reveal any aspect of the plot of the movie because that might amount to disservice to a carefully crafted work of art. This is not to say that Poo is art-house cinema, it instead treats cinema at a different level where there is neither an antagonist nor a protagonist and only the inscrutable ways of destiny determine the fate of characters who remain so true to the story without even an element of cinematic liberty being thrown in. It seems to be a true interpretation of what Shakespeare so famously said, “All the world’s a stage and all men and women are the players.”

Poo is set in the rustic surroundings of Rajapalayam where life is simple and slow and ambitions are limited. It tells the story of two young children, a boy and a girl, their families and their dreams in life. What happens when dreams clash? Someone has to let go of their dream for the others to realize theirs’. It is one person’s love and affection for the other that makes them sacrifice hoping sincerely that the object of their love will have a better life sharing someone else’s dream. It is also “love” that makes people give up their own dreams and believe in someone

else, trusting them with their life. But when sacrifices go in vain and life of the loved one looks far from the bed of roses that had been envisaged, then it is a kind of helplessness that engulfs the mind and one is left to live only in sorrow, grieving the dream that was never to be.

Poo is a movie that has given some budding actors a wonderful opportunity to set foot in the industry and they have done it with élan. Parvathy, the debut heroine has done a marvelous job, not at all showing any signs of inexperience. She excels in all kinds of expressions and an interesting thing is that at times one can detect traces of Padmapriya. Parvathy will definitely be a strong contender for the best debut award this year. Srikanth is on screen after a long time and appears in a role that is not the regular hero type. First, congrats to him for making the choice. He is adequate without being excellent, fitting neatly into the character. But the one who steals the show is the actor who plays Srikanth’s father, he is splendid and one to look out for in similar roles in future. The Rajapalayam accent has been adapted to near perfection throughout the movie. Poo is devoid of any commercial element. There are a few scenes here and there with situational humor that do not fail to amuse. The emotional scenes are the best. Made to near perfection, they will move even the most passive viewer close to tears, especially the climatic scenes. The movie has content that is enough just for a short story and has been narrated fluently on screen.

Then there are stars behind the camera. Cinematographer P.G. Muthiah has done a wonderful job, translating all the rural charm onto screen. Veerasamar has matched the camera with his art. One is left wondering whether the huts are sets or real ones. Debutant composer S.S. Kumaran deserves accolades for his score and re-recording. Three songs, Maman, Aavaram Poo and Choo Choo Maari stand out as excellent compositions. But the one man who deserves an ovation here is director Sasi. This must be his best work to date. Handling the story, screenplay, dialogue and direction, he has given a product that will please all true lovers of cinema. He must also be credited with extracting moving performances from the cast.

Overall, Poo is like a beautiful poem. Poetry is not everyone’s cup of tea and one is not sure how many will be able to appreciate this subtly narrated story of dreams and sacrifices. It is a sincere wish that Poo does well, Tamil cinema will be better off with the success of a movie like Poo. But one finds it hard to see how the movie will achieve commercial success, given its simple yet beautiful narration.

As the saying goes, “Simplicity is nature’s first step and the last of art.”

Verdict – Poo – Poetic

Mahesh Saranya Matrum Palar

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com
Part: 1

Part:2

Part:3

Part:4

Part:5

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com
Megaupload Link

Part:1

Part:2

Part:3

Part:4

Part:5

Movie Review: Mahesh Saranya Matrum Palar

The title of Kool Productions’ latest Tamil venture is in itself an interesting one — Mahesh, Saranya Matrum Palar (Mahesh, Saranya and Others) and you settle down with some anticipation. But pretty soon you wish debutant director P V Ravi had concentrated as much on his screenplay as he did in naming the film.

Predictably, the Mahesh and Saranya mentioned in the title are the lead pair. Equally predictably, the movie revolves a lot around their love story.

The beginning, however is from Mahesh’s sister Keerthana (Saranya Mohan) and her dance recital at the temple in Kumbakonam upon which she receives a marriage proposal. Asked to help his sister choose her husband, Mahesh (Shakthi) arrives after his exams in Chennai a bit late, as he misses his train, and enters upon his sister’s marriage celebrations with gusto. In between, as his large and loving family comprised of sisters-in-law and numerous children run around, he reveals, bit by bit, his love for Saranya (Sandhya), and how exactly he captured her heart in Chennai.

It’s certainly a merit that there’s no mandatory kuthu song, or half a dozen fisticuffs. But need a movie drag along like a mega-serial, for all that? In his efforts to portray the normalcy of Mahesh’s family, the director has gone overboard and tracked down every single pause, flicker of an eyelid, or movement of foot. After a point, the endless phone-calls, exchange of addresses and good-byes begin to take a toll on you. Some of the arguments between Mahesh and Saranya remind you of Kushi, as well.

Also, aside from a couple of comic interludes with Santhanam, there’s really no spice either to the love-story, or the family’s trials. The climax, as a result, leaves you feeling as though you’ve sat through a melodrama of the 60s.

Shakthi looks shell-shocked a couple of times but mostly manages to deliver a creditable performance after his Thottal Poo Malarum days.

But good God, what’s happened to Sandhya, the fresh-faced girl from Kaadhal? With loads of eye-shadow and make-up plastered on her face, the girl looks like a cross-dresser at certain inopportune moments, and far from being natural, her voice is almost permanently high-pitch. You could say that she does a good job in the climax but this film hasn’t made use of her talent. Saranya Mohan, as the perky, too pretty sister is, as usual, relegated to the background, while the others mostly provide a backdrop.

K Gunasekaran’s camera work seems a bit dull on occasion, while Rocky Rajesh has acquitted himself with the stunts. You can see why Vidyasagar has come up with lacklustre work aside from the too familiar En Paadal, nothing lingers on.

Mahesh Saranya Matrum Palar is a love-story that lacks spice.

Bommalattam

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com

Part:1

Part:2

Part:3

Part:4

Help to download: Open the link and download will begin after some seconds.
All the files are in password protected .ZIP Format. The password for the zip files is: tamilwire.com
MegaUpload Link

Part:1

Part:2

Part:3

Part:4

Movie Review: Bommalattam

Cast: Nana Patekar. Arjun, Kajal Agarwal, Ranjita, Ragini and others
Music: Himesh Reshammiya
Director: Bharathiraja
Producer: Therkathi Kalai Koodam

Rana (Nana Patekar) is a famous film director and art to escape a hit petrol in his film. He has the talent to play dry cell of a fashionable topic in a thriller and is well known for his talent throughout the film industry. One day he is upset with the usual access wrath of his films that said actress and pedicure recently did not swim in saltwater from the sea. Instead, it requires a pool of mineral water, which must be conceived as a sea view

With access to the anger over his head, Rana fires women replaces the lead and another with his name actress Trishna (Ragin), which has great powers acting in it. You terms as a perfect actress who is talented and dedicated. Rana agreed to the management consulting and direct the film. On the day of its introduction, an official in the media industry, and an unfortunate thing happens. Trishna is killed in a car accident splattering of a hill, Rana, but this is the same car escaped with some injuries.Rana alleged that a serial killer is killing the entertainment industry to reduce its cast and crew. Meanwhile, the wife of Rana (Ranja) is still a suspected case of her husband, as you suspected of being involved with other women and also claims to have physical affairs with several women.

Bommalattam review Then, to investigate the murder mystery CBI official Vivek (Arjun) is pressed into service who has a grudge against the staff of Rana that his girlfriend Anita (Kajal Agarwal) was assistant director under him. The story then in the investigation and the truth is revealed. The public get a taste that is Rana, who is the serial killer. But wait? The real end will be suspended when you see people for you. Who is the murder of waiting in the movie worth watching reel after a patient flow.
Bommalattam Celebrity Performances Review

The entire film revolves around Bommalattam Nana Patekar and takes the total spotlight. His impeccable ease in the skin of the character is unbelievable. His talks during his actress reveals her anger access are entertaining and message oriented. In all its exhibitions pain and suffering of the unit manning experience while shooting for a film. But his day Hindi Movies disturb the public that the dialogues Nana Patekar Search unfit for the public of Tamil.Arjun actor plays the role of a CBI investigation and research sincere officer in charge of scenes of action.Kajal, Ranjtha and Rahgini play their respective characters Bommalattam the mark and should be able to expose their act.The film has everything to the mass and class audience. Women ‘eye show the skin is also catching some scenes and Bharathiraja is known for his portrayal of women in the arts.

The entire credit must be given to the director that the scene goes on a jet at speeds not much to trigger a drag, which makes the story even more interesting.Overall, Bommalattam is a film worthy of being seen this weekend, and if we can invest easily as the film has some entertainment in it.